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TWENTIETH-CENTURY-FOX


 

Story

Wihelm Fried, an Hungarian immigrant had began an arcade of cheap shops in Brooklyn, at the beginning of the century.

At the end of the First World War, he took the name of William Fox (), founded a cinematic firm and settled in the West where he produced, rented and showed movies in Hollywood.

Among the stars who worked for him, there were Theda Bara (), the fatal woman archetype, Annette 

Kellerman (), the swimming champion, cow-boy Tom Mix (), the gentle and frail Janet Gaynor

()(who obtained the first Academy Award for Best Actress) and at the beginning of the 30's, the

little Shirley Temple ().

In 1935, a serious accident, combined with the Depression effects, forced him to file a bankruptcy petition.
1935 : the Twentieth Century Fox was born because of the merger of Fox Film Corporation (founded by the Hungarian William Fox) and Twentieth Centruy Pictures (founded in 1933 by Joe Schenck and Darryl F.Zanuck).

Joe Schenck became director of the board of directors of the Twentieth Century Fox, and Darrym Zanuck, the vise president, in charge of the production.

Zanuck was the production director until 1956; Spyros Skouras remained President from 1942 to 1962.

 
In 1946 theFox was the main production company in Hollywood and at the climax of its history.

Recent success as "Laura" (), "The House on 92nd Street" (), "A Tree Grows in Brooklyn" 

(), "The Keys of The Kingdom" and "Leave Her to Heaven" () had brought more than 22 millions dollars.

The studio owed its success to briliant musicals, well-written detectice story, moving dramas and an impressive

list of stars : Don Ameche (), Anne Baxter (), Alice Faye (), Henry Fonda 

(), Betty Grable (), Carmen Miranda (), Gregory Peck (), 

Tyrone Power (), Gene Tierney () and Loretta Young ().

Among the directors, Henry Hathaway (), Elia Kazan, Anatole Litvak (), Joseph

L.Mankiewicz () and Otto Preminger.

The Fox would keep its prevailing situation during 20 years, introducing the Cinemascope (a process of projection on large screen) to anticipate the televison competition.

 

Link with Marilyn


First article 

Marilyn's contracts ;


Fox badge access 


Letter from Norma Jeane Dougherty to the Fox, dated August 26,1946


Letter dated December 9, 1946, announcing the "birth" of Marilyn Monroe ,

Circa 1946, with Jean Peters at the Fox's commissary


Letter dated February 7, 1947 


Letter dated February 10, 1947 about Marilyn contract's extension -


At the Fox's commissary, circa 1948


Her dressing-rooms' keys 

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Her dressing-room ,


Dressing ,


Other

The publicity head, Harry Brand and its team, concocted Marilyn a sweetened biography, making her officially an orphan , saying nothing about her mother; they also invented a story according which Marilyn would have been discovered one day, while she was a baby-sitter at a talent scout's home.

Publicity pictures, 40's 

Studio 

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Bathsuit, with Ruffles the cocker Spaniel, February 26, 1947

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At producer Metzler's home, June 11, 1947

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Picture session at Fox lot, August 17, 1947

skirt 

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shorts ,,-,,,

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Marilyn shot many movies for the Fox, 21 on her 29 movies.

 

For her first part, she pkayed a student in a B movie "Scudda Hoo! Scudda Hey" (1948).

Publicity pictures

pool side

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sea side

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other ,-,,

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Letter dated June 11, 1947, related to her majority .



June 1947, annual spring Jamboree


Letter informing her of the end of her contract, dated July 26, 1947 .

August 1947, publicity pictures by Loomis Dean on the set of "Sitting Pretty", in which Clifton Webb played, who posed with 2 starlets, Marilyn and Laurette Luez

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September 1947, she had a small part in "You Were Meant to Me", which would be released in January 1948, but

wasn't credited (-,-,;

-).

1948 ,,,,,-

From March 16 to 19, 1948, rehearsals of the Fox's young talents showcase, "Strictly for Kicks" (-

,,,) at the Fox Club Little Theater, only showed to the studio's

employees ,,,;-

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Her second movie was "Dangerous Years"(1948) (not produced by the Fox) but was the one to be released. 



August 27, 1949
, leaving to Durango, Colorado, for the production of "A Ticket to Tomahawk"



Personnel record, December 7, 1949 

Her two movies were'nt successful, and so the studio didn't extend her contract ().
She kept on posing as model; she made friends with Lucille Ryman and co-founder of the Fox, Joe Schenck.

 

A year at the Columbia brought her her 3rd movie and made her meet Natasha Lytess, drama teacher. She also met Johnny Hyde who gave to her career the necessary impulse to come back to the Fox. He managed to make her making 3 movies at the Fox, which released in 1950 : "A Ticket to Tomahawk", "The Fireball", "All About Eve".

For "All About Eve", she obtained a contract () only for the time of the shooting, from May 11 to June 7, 1950.

Employee's starting card dated May 11, 1950

June 20, 1950, pay .


Publicity pictures for Thanksgiving, on November 10, 1950 

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Authorization for the publicity for the  "Sortilege Perfume", dated December 4, 1950 

Screen-test for "Cold Shoulders" on December 10, 1950 ,

Pictures for Valentine's Day, February 1951 ,,,

In March 1951, the Fox offered her a seven-year contract, 500$ a week, her salary guaranteed 40 weeks a year, either she was making movie or not.

If the studio would extend her contract, she would come up to 750$ the second year, 1250$ the third year, 1500$ the fourth year, 2000$ the fifth year, 2500$ the sixth year and 3500$ the seventh year.

The studio was allowed to terminate the contract at the end of each year without giving her any reason, and she could only work with the Fox, unless the studio lent her to another production. She also wasn't allow to have another job in every media without the studio permission; in addition to the standard clauses, she asked and obtained that thestudio hired Natasha Lytess.


Authorization  for the publicity for the "Rayve Creme Shampoo", dated June 14, 1951 

In 1951-1952, she appeared in 7 movies and her name began to get the top billing. She played in "Love Nest". 

August 21, 1951, contract for "Clash By Night"

End of 1951, the Fox lent her to the RKO for "Clash By Night" of Fritz Lang (first drama part).

 

Letter dated January 16, 1952

Additional contract dated June 5, 1952 -

In 1952, she appeared in 5 movies :

June : "Clash By Night"

July : "We're Not Married", "Don't Bother to Knock"

September : "Monkey Business"

October : "O'Henry's Full House".

 

1953 : the year Marilyn. "Niagara" confirmed her box-office success.

April 9, 1953, letter from Frank H. Ferguson

May 11, 1953, pay raise .

June 13, 1953, with the head of Fox's camera department, Sol Halprin, with the first Cinemascope lens 

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1953  shooting of "How To Marry a Millionnaire" 

Publicity pictures 

 

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1953 : shooting of "River Of No Return". She began to feel frustrated by the parts assigned and the lean amount of money she earned. After "River Of No Return", the studio wanted to place her in "Pink Tights", but Frank Sinatra who had to play with her, at that time earned 5000$ a week while she only earned 1500$. She went on strike, alone; she didn't show up on the first day of the shooting. She ignored the studio threatening to suspend her (replaced by Sheree North). Regardless, she spent Christmas in San Francisco with DiMaggio.

 
Letter from the Fox about Marilyn's salaries and vacations for year 1953
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Marilyn's biography by Harry Brand  ,,,,.

Picture shooting 1953 

1953, the Fox congratulated Marilyn who was awarded with the Photoplay New Star Award in 1952

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Notifications about the end of shooting/production of "River of No Return"  ,

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Publicity pictures, 50's

Black and white dress -,;

Potatoes bag, February 25, 1952

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Letter dated January 20, 1954 .

1954 : at the beginning of this year, she married DiMaggio and was spending their honeymoon when the Fox

suspended her (). Facing the risk to lose her major asset, the Fox gave up and accpeted to forget "Pink Tights", under the condition that she accept a supporting role in "There's No Business Like Show Business". To encourage her, the Fox promised her the leading role in Billy Wilder's project,"The Seven Year Itch". Her requests about a raise were considered in a new contract which began on August 1954 :  a seven-year contract plus a 100 000$ bonus for Wilder's movie.

Summer 1954 : she went in New York City to make " The Seven Year Itch"; this shooting marked the break-up with DiMaggio; but she also secretly met Milton Greene to create her own production company, and lastly have a real control on money and parts.

Letter dated June 23, 1953 about Marilyn's contract extension .

Letter dated October 14,1953, agreement between the Fox and the RCA about the soundtrack of "There's No 

Business Like Show Business" .

January 1955 : press conference with Milton Greene to announce the creation of the Marilyn Monroe Productions.

As soon as the news were known by the studio, the Fox suspended her, while she had to come back to Los Angeles to end the shooting of "The Seven Year Itch".

During the whole year 1955, Milton Greene's lawyers (Frank Delaney and Irving Stein) and also the MCA, Marilyn's new agency, crossed swords with the Fox.

The studio maintained that Marilyn had promised, with a contract, to exclusively work for it for the next four years. But the more the year passed, the more it was obvious that Milton Greene couldn't find enough funds for the Marilyn Monroe Productions to survive long enough to actually produce a movie.

December 31, 1955 : the Marilyn Monroe Productions and the Fox signed a new contract which concerned 4 movies in 7 years, 100 000$ per movie and a percentage on the takings. She was allowed to control the kind of movie she wanted to make, to approve or not the screenwriter, the director and the director of photography

(which was an unprecedented power to an actor) (). She was allowed to make an independant movie each year, and could appear in 6 TV or radio programs. She also received an annual advance of 100 000$ and also an annual salary for Greene of 75 000$.

The first movie she made with this new contract was "Bus Stop" (1956) then "The Prince and The Showgirl" (1957), the only movie produced by the Marilyn Monroe Productions, before she fell out with Milton Greene. Then, "Some Like It Hot" (1959) for which the Fox "lent" Marilyn to United Artists, and she worked again for the studio when she made "Let's Make Love" (1960).

Letter dated April 19, 1956 .

Letter dated April 17, 1958 

Letter dated December 22, 1958 .

Letter to the MMProductions for the beginning of the shooting of "Time and Tide" scheduled on April 14, 1959 

.

Publicity pictures for "Let's Make Love" 

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"The Misfits",in 1960,was again a plan where the Fox wasn't included.

Letter dated April 15, 1960 .

Check from the Marilyn Monroe Productions dated July 1, 1960 

 
In 1961, after the failure of her wedding with Arthur Miller, she came back in Los Angeles; she had just made 2 on the 4 movies for the Fox and her contract would end a year later.

In 1956 Darryl Zanuck had resigned from his position of head production and emigrated to Europe where he worked as an independant producer. He was replaced by Buddy Adler. In 1960 after Adler's death, Spyros Skouras took more and more responsabilities in production. The studio was in a perilous financial situation (huge cost overrun of "Cleopatra" and long and slow decline) and the Fox heads pressed on Skouras, who gave the presidency up, for the less influential position of president of the boards of directors.

Under the order of the financier council based in New York City, Robert Goldstein took briefly over as production director but was soon replaced by Peter Levathes.

It was in this atmosphere that began the shooting of "Something's Got To Give", in 1962.

Letter dated February 5, 1962 from Henry Weinstein

Letter dated June 11, 1962  -

Marilyn showed few enthusiasm for the screenplay, several times modified, but like the director George Cukor, by  contract, she owed movies to the Fox.

"Cleopatra" having exceeded the limit of 30 millions dollars, the Fox get rid of its real estate societies, laid employees off and closed the studio facilities to save up. Levathes, exposed to an intense pressure, gave up "Something's Got To Give". He fired Marilyn for breach of contract, after she had sung for John Kennedy in New York City, reproaching her for her lack of assiduity on the set (she had only made 12 days on 33).

 

Marilyn's absences on the set ,,,

 

Her lawyer Milton Rudin and Dr Greenson met the Fox heads on June 8, 1962. Greenson spoke in favor of Marilyn, saying that a virus had prevented her from doing the movie, but that she was, from then on, ready and desirous to work. This made no impression to the studio which, the same day, let know to Milton Rudin that they sued the Marilyn Monroe Productions and started press charges for damage for an amount of 500 000$.

The Fox which had searched Marilyn's substitute, announced that the shooting was going on with Lee Remick.
Dean Martin, first masculine leading role, he had, with his contract, a say in about the feminine leading role; he refused to work with another actress than Marilyn. On his side, Skouras, who had to still exercise for 6 months, planned to re establish Marilyn in the movie.

Backstage, the studio and Marilyn's representatives started negotiations. Two weeks before her death, Levathes let her know that she was about to be re-engaged for an upper salary (250 000$ or 500 000$ according to the testimonies) and that every proceedings were about to be abandonned.

It is estimated that when she began the shooting of "Something's Got To Give", her former productions had brought on more than 60 millions dollars to the Fox.

Before the end of 1962, Skouras was replaced by Zanuck who posted his son Richard as vice president of the production.They both kept control on the company until the beginning of the 70's.
 

Alan Ladd Jr led it with success until the end of the 70's; his most memorable production was "Star Wars".

In 1980, the company was liquidated and in 1985, Rupert Murdoch added it to his media empire.

Fox commissary in 2013 ,,,

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Bibliography

"Marilyn at Twentieth Century Fox", Lawrence Crown, Londres, Comet Books, 1987.


 

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